Quantcast The University News
College Media Network

Movie Review

'I'm Not There'

David Coley

Issue date: 12/3/07 Section: Culture
Robert Zimmerman once said, "Chaos is a friend of mine." He also said, "I accept chaos. I'm not sure whether it accepts me." Zimmerman once said, "I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet." He also said, "I think a poet is anybody who wouldn't call himself a poet." Stranger still, Zimmerman once said, "There is nothing so stable as change."

Of course, you know Zimmerman better by his popular moniker of Bob Dylan. And that name has been the most consistent aspect of the man we have seen. For, as the film "I'm Not There" shows, Dylan has gone through numerous transformations, moving from one persona to the next just as the public was getting familiar with the old one.

And, as you might have already heard, the way writer/director Todd Haynes handles these transformations is the revolutionary part of the film. Six different actors play versions of the artist, each with different names, but none named Bob Dylan. They are revealing in their differences, and each occupies a distinct world of his own.

Consider the peculiarly precocious 11-year-old Marcus Carl Franklin, who embodies Dylan as a guitar-playing boxcar tramp traveling under the name of Woody Guthrie, the folk hero of Dylan's youth. Or the young philosopher Arthur Rimbaud, played by Ben Whishaw, who is only seen in interview-style clips, spouting mantras like and including some of those mentioned above.

There's also Christian Bale as Jack Rollins, an embodiment of Dylan's protesting folk hero of New York City. Heath Ledger appears as Robbie, an actor who starts out portraying Rollins in a film and encounters some marital troubles. Plus there's Richard Gere as Billy the Kid, lifted from Dylan's appearance in Sam Peckinpah's western "Pat Garrett and Billy the Kid."

The most talked-about performance in the film is sure to be Cate Blanchett as Jude Quinn, Dylan's post-folk personality. Her segment begins with the Newport Music Festival where Dylan outraged fans by going electric. The scene is both true to history and fanciful: Pete Seeger runs around with an axe threatening to chop the power cords while Jude and his band blast the audience away with machine guns.
Page 1 of 2 next >

Article Tools

Be the first to comment on this story

  • NOTE: Email address will not be published

Type your comment below (html not allowed)

  I understand posting spam or other comments that are unrelated to this article will cause my comment to be flagged for deletion and possibly cause my IP address to be permanently banned from this server.

Advertisement

Poll

Will you look for a seasonal part-time job?
Submit Vote

View Results

University News on Facebook

Advertisement

Sections

Options

VIEW PDF

Links